Showing posts with label BluesRock. Show all posts
Showing posts with label BluesRock. Show all posts

INTERVIEW: JPT Scare Band

Interview by John Wisniewski

Could you tell us about the release of your latest CD - Do you still enjoy playing together after all of these years?
Our latest CD came out of nowhere, as far as I can tell. The guys at Ripple Music somehow found us and made contact a year or so back with the idea of a double Vinyl /CD project using a lot of unreleased music.  Some of it was really old stuff and a couple were really new, like it's Not My Fault and I've Been Waiting, (the song is old but the version is from 2001).  Todd and John put together a really cool album with really psych swirling yellow/green vinyl.  It is quite psychedelic.. Great job Ripplers! The three of us would play together more regularly I'm sure if Jeff lived closer but whenever we have the chance we are playing and recording whatever comes out. As long as we have new ideas I suspect we will continue to have fun playing music together.

Could you name some of the bands that have influenced the sound of JPT Scare? Who are some of your favorite blues artists?
Vanilla Fudge, John Mayall, the Blues Breakers, Yardbirds, Clapton, Winwood, Canned Heat, just to name a few of my favorite blues bands. I think Led Zeppelin pushed me over the edge though. Jimmy Page and the gang put out some of the best music ever. Totally blues based heavy ass kicking rock and roll.

"JamVapour ' is an example of the band's freeform nature, sometimes-do you enjoy experimenting with a progressive sound?
Progressive? Man, I am not tuned into the label thing; we just play whatever we are into at that moment. Not sure of how I would categorize it but it surprises me to hear us described as a proto metal band too. I just thought we were playing rock and roll as hard as we could play it.

What guitars do you guys play?
I have 1972, 4001 Rickenbacker bass. I bought it new with a left hand body and a right hand neck since I usually turn a right handed bass over with the big string on the bottom. I played this on all the old stuff and on Rumdum Daddy. I have a chopped up headless Ibanez with some EMG humbuckers and a bunch of active EQ stuff on it. I use this one on a lot of our stuff like Jamm Vapour and at our live gig at Crosstown Station. I also have a nice SG Gibson short scale bass that sounds very cool too. I also have a Hoffner but it tends to feed back really bad when I turn it up loud.

What has kept the band going for so long?
We're brothers from another mother and we love playing music together. The stuff we do doesn't come out unless we play with us three. And that is a fact, Jack.

Do you find that the audiences have changed from the 1970's onward?
No, not really. Popular music has changed but back in the 70s when disco reared its ugly head we kept rocking, just like we continue to do now, regardless of what the popular norm may be.

One of your songs is called "Wino"- have you had some troubles with alcohol over the years?
No, nothing too dramatic anyway. The song is pretty cool though and it really hurts when we play it. Poor devil!

What lies in the future for the band?
I'm in the process of doing a blitz of media to regional colleges hoping to get enough airplay to enable us to get some gigs booked with our buddy Rocky Rude at the Knobs, showing the kids how us old guys roll. Who knows, maybe they would dig it?

Any stories about playing live or being on tour?
We really do enjoy working together STILL. In fact, July 22, 2011, JPT Scare Band played our first concert in 38 years. It was an incredible event for us and for those who came out to support us. They seemed to really dig what we were doing up there. Lots of noise between verses and songs. It's hard to hide real enthusiasm and it fed into what we were doing up there on stage. After it was all said and done I talked with Terry and Jeff about their experience up there in front of a crowd and we shared a similar story of having a very surreal experience. It had been so long since we had an opportunity to perform that we were all up there pinching ourselves for the first few songs. It just didn't feel real! It felt very psychedelic however, all of us fell into that place where our brand of madness tends to arise.

REVIEW: The Muggs - Born Ugly


Blues Rock from the USA
The Muggs - 6 To Midnite


It's 1972 and I've got my Plymouth Road Runner ready, she's packing a 440 CID engine with a 4-barrel carburetor under her hood, she's gassed up and ready to go.  We've booked a special appointment with an old friend.  Let her fuckin' rip, she burns her tires down the roadway, the streetlights are a blur to my eyes, everything I see just flashes by, asphalt tearing up behind me.  Can't keep my old friend waiting. Turn right, I head south, way down Washington Blvd, where my old friend lives tonight... Look for number 1, Cobo Hall.  Ladies & Gentleman, we are proud to present, in support of their new release, Born Ugly, The Muggs.........

Born Ugly begins, fuckin' groove slays, the crowd has already risen off their asses, already feeling electric, wired, if there was a perfect song to start an album off with then, this is it.  We slide right into Blood Meridian, another guitar heavy groove, like Humble Pie of old, the Muggs, have the head nodding in all directions.  I see the crowd move in unison, heads banging, smoke filled air, that sweet smell.....  Numb the body has become, my ears slaves to the music filling up the hall, can I say it's knocking me out cold.

We hit Home Free, a more melodic song, all three instruments take you down this path to enlightment, slower, relaxes the mind...then it hits you with this sweet soaring guitar solo...that just brings me back in my seat, crowd air guitaring, hands contorted in odd movements.. Spastic motions...almost beautiful like, then it just falls into that trance that melodic sweet sense again.  This show, so far, is above and beyond what we expected...the crowd just mesmerized.  We feel like we are right up there with them, the band, the Muggs.

Clean Break Blues up next, slide guitar frantic, infectious, this romp is another burner, although this time they throw in some sweet melody interplays between the band.  It's a slide workout which gives this song something of a twist over the first three...then right into Notes From The Underground, a real hard rock stomper, short yet sweet, the we  segue into Dear Theo , with another beautiful slide workout.  These trilogies of songs complement each other so well, you would could easily think of it as one long great song.  It certainly kept the crowd outta their seats.

Losing End Blues is a simple melodic number, with yet another stunning guitar line.  The melody on this number shines once again. Certainly the Muggs have this formula down pat.  It adds a nice dimension to the songs. It certainly has the feeling of some of the great 70's bands; LEB would not look out of place as a song on any one of the "classic rock" bands we grew up listening to. 6 To Midnite is another rocker. Great interplay between the drums and the guitar, the jam in the middle is like foreplay, just before the action begins again, climax.  You can see, feel the crowds adoration for the band tonight.  The Muggs are putting on a display of retro rock, done the right way.

After a brief second to compose myself, we are introduced to Sturm Und Drang, which starts as a by the numbers rocker. Which isn't all bad, but up until this point the songs have been stronger, however the song quickly segues into Hats Of Mr. Beardsley, which has a riff to rock, its dark, and it gets the crowd up on their feet again, it's a killer, and the audience has bought in.

All eyes on the stage, an acoustic number sets off on song number 11.  World Around is the most beautiful song on this album, in this show, to my ears. The musicians are top notch on this song, the background melodies are outstanding.  This is a real keeper.  After this short number, the Muggs get the crowd moving again, with another hard stomper, Kitchen Sink Blues.  I can't but feel like I'm hearing some older Humble Pie influences (the Pie being one of the greatest boogie/rock bands around).  Kitchen Sink Blues does not let up, the perfect follow up from World Around.  Stamping my feet, the ground shakes, the all walls feel like they are ready to crumble.

We have now reached the end, you can feel the disappointment.  Last Words ends the album off on a high note.  Just a riveting song with a stupendous guitar workout.  Hard to see how anyone will leave here disappointed.  Sold out show, sold me out, solid solid stuff.

The Muggs (Born Ugly) is without a doubt one of the best retro hard rock releases I have heard in a very long time.  If you like the first two releases by them (S/T & On With The Show), then you will not be disappointed at all.  I found this to be there strongest album yet. It is a pleasure to the ears, to any fan of hard rock with a retro twist.  If you like the Pie, James Gang etc... then you will absolutely need this for your collection.

My only question is, how is this band not signed to a record label?  Especially when there is one in their hometown that the Muggs would easily fit on their roster.  It's a shame, a band with talent like this, goes unnoticed and does not get the recognition they deserve. Do yourself and the band a favor and buy this release.

Easily in my top 5 releases of the year if not the top right now.
by William Bissonette


Track List
 01 Born Ugly
02 Blood Meridian
03 Home Free
04 Clean Break Blues
05 Notes From Underground
06 Dear Theo
07 Losing End Blues
08 6 To Midnite
09 Sturm Und Drang
10 Hats Off To Mr. Beardsley
11 World Around
12 Kitchen Sink Blues
13 Last Words
Born Ugly!  Deluxe Edition LP, on Bellyache Records, , Bonus AUTOGRAPHED 7 Inch Single (only available in this package) Limited to 500
Bellyache Records

DEMOLAND: The Brimstone Days - Flowers And Rainbows

BluesRock from Sweden
The Brimstone Days - Get It On


The Brimstone Days aim to be the live band with enough energy to get the listener and the audience caught up in a euphoric thrill. With clear influences from the 70s and with catchy tunes, they deliver retro-rock with a modern twist to dance to.

On the road of becoming The Brimstone Days many genres, plectrum and sticks have been worn out, and this not without result. The two original members, HÃ¥kan and Johannes, both feel they are heading towards something big.

After the recordings of the EP "Flowers and Rainbows" during spring 2009 bass player Elias Dellow decided to leave the band. In the beginning this drop-out was tough for the remaining band members since the band now wasn't the power trio they used to be. Shortly thereafter there was a new spark when bass player Hampus Hallgard joined and again the power trio was ready to deliver.

With the EP recorded and a live show that will take you to the flowers and the rainbows, The Brimstone Days has their minds set for bringing you tons of energy next time you catch them at a show, they now stand ready to conquer the stage.

Myspace
 
Track List 

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